Originally posted by Nekojin
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In your opinion. You are not Everyman; other people might well decide that they need a rifle for long-range threats, a shotgun for close-range threats, and a pistol for tight spaces. Heck, they might well decide that they need multiple, in case one runs out of ammo before they can reload. Or any other rationale that they have. Or maybe they just like collecting them.
That's for them to decide... not you.
That's for them to decide... not you.
Second, that's why you investigate further. (Not to mention, this is several guns being purchased close together, so the collector probably wouldn't be flagged up, since collectors build up collections slowly.)
Third I'm sorry, but I can't see the rationale behind the average person needing to keep firing past the capacity of a pistol without reloading. A) considering the average person is probably going to be faced with only one lethal threat at a time, if your shooting is that crap, you probably need shooting lessons, not another gun. B) you're probably hitting several innocent people shooting like that, which you would be charged for the murder of. For people that might actually need to shoot at multiple lethal targets (Police and military spring to mind) then they are usually issued weapons.
Okay, let's do that. We'll implement security protocols to prevent that from happening.
We need security guards to guard the exits. Most theaters have doors set up so that two theaters empty out into one alley, so you can guard two theaters with one guard. You'll also need three more guards - one for the lobby, and one for each additional side exit (2 on average).
There are approximately 6000 theaters in the United States, with approximately 40,000 screens between them. At the rate of 3 guards plus 2 per screen, that works out to 38,000 guards.
The average theater operates for approximately 16 hours per day. That works out to 608,000 man-hours (assuming that you don't hire any "relief" guards). At $10 per hour for unarmed guards*, that works out to $6,080,000 per day, or just over 22 billion dollars per year.
* Double that if you want armed guards.
Let's pass that suggestion on to the National Association of Theater Owners, and see how they feel about incurring that expense without raising ticket prices. Or are you willing to have your ticket price raised to around $60 each to cover the cost of all of those security guards?
We need security guards to guard the exits. Most theaters have doors set up so that two theaters empty out into one alley, so you can guard two theaters with one guard. You'll also need three more guards - one for the lobby, and one for each additional side exit (2 on average).
There are approximately 6000 theaters in the United States, with approximately 40,000 screens between them. At the rate of 3 guards plus 2 per screen, that works out to 38,000 guards.
The average theater operates for approximately 16 hours per day. That works out to 608,000 man-hours (assuming that you don't hire any "relief" guards). At $10 per hour for unarmed guards*, that works out to $6,080,000 per day, or just over 22 billion dollars per year.
* Double that if you want armed guards.
Let's pass that suggestion on to the National Association of Theater Owners, and see how they feel about incurring that expense without raising ticket prices. Or are you willing to have your ticket price raised to around $60 each to cover the cost of all of those security guards?
Ah! You hit on the key word there! SENSIBLE! A sensible reaction to the 9/11 incident was installing reinforced, locking doors on the cockpits of planes and having Air Marshals riding on some flights at random. That was done. The 9/11 hijackings and subsequent tragedies are functionally impossible to do now, at a minimal cost. The TSA screenings are security theater - it's a show to calm the average flyer, it doesn't actually do much (if anything) to stop would-be terrorists. And an expensive show, at that.
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